A Year in the Life

In a world of franchise concepts, we wonder where things originate. Art in our society becomes not just about now, but how we got to now, was there a purer time, a place where all antecedents come from,. What does home look like now is a question most fictive worlds try to answer. The adaptation... Continue Reading →

Bound

Every child’s story is how they bury their parents. Whether with a spade full of dirt or years on the psychologist’s couch, growing up means the acknowledgement of who we were with our parents and who we are now. Jessie (Carla Gugino), the heroine of Mike Flanagan’s adaptation of the Stephen King novel Gerald’s Game... Continue Reading →

Death in a Small Town

Tobe Hooper’s television miniseries Salem’s Lot is an interesting example of the new horror of the seventies interacting with more traditional horror elements, which emphasized Gothic settings like haunted mansions, traditional monsters like vampires and scares built on suspense rather than brutality. Translated from Stephen King’s book about a tiny New England town slowly overrun... Continue Reading →

Send in the Clown

There’s a strange allegory in the new adaptation of Stephen King’s coming of age story It. I don’t understand exactly what that allegory actually is. I know what it should be, that the alliances we make as children are purer in some ways than the one’s we make as adults. That childhood phobias, fears, and... Continue Reading →

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